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By TRAVIS
BOGARD
New York: Oxford University Press, 1972
Revised Edition, 1988 |
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Introduction
I The
Tyro (1913-1914)
The
Beginning,
A
Wife for a Life, The
First Plays, The
Web, Recklessness/Abortion,
Warnings, Fog,
Thirst, Servitude,
Bread and
Butter, Bound
East for Cardiff
II
The Student (1914-1916)
George
Pierce Baker,
The
Personal Equation, Now I Ask You,
The Harvard Plays
III
The Amateur (1916-1917)
George
Cram Cook, Before
Breakfast, In the Zone, The Long Voyage
Home, The Moon of the
Caribbees, Ile,
Tomorrow
IV
Pause (1918-1919)
S.O.S.,
Shell-Shock, Where the Cross is Made, The Rope, The Dreamy
Kid, Exorcism,
The Straw, Beyond
the Horizon
V
Amateur’s End (1920)
The
Emperor Jones, Gold, Diff’rent,
The First Man, “Anna
Christie”
VI The Triumvirate, 1 (1922-1924)
The
Art Theatre, Sheldon Cheney,
Kenneth Macgowan, Welded,
All God’s Chillun Got Wings, Desire Under the Elms
VII The Triumvirate, 2 (1921-1926)
The
Rime of the Ancient Mariner, The
Fountain, The Hairy Ape, Marco
Millions, The Great God Brown,
Lazarus Laughed
VIII
The End of Experiment (1924-1932)
Strange Interlude,
Dynamo, Days Without End
IX The Historian (1929-1933)
Mourning
Becomes Electra, Ah, Wilderness!
X The Door and the Mirror (1933-1941)
Retreat, The Cycle,
The Calms of Capricorn, The
Cycle (continued), A Touch of the Poet, More
Stately Mansions, The Iceman
Cometh,
Hughie, Long Day’s Journey into
Night, A Moon for the
Misbegotten
Bibliographical
Note
A
Note on the Revised Edition
Notes
Appendix
I. The Staging of the Tao House Plays
Appendix
II. The Casts of O'Neill's Plays
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