|
852 |
(Notes on sequel), holograph |
n.d. |
|
|
Contracts
|
|
|
See also: Contract
with Albert Bonniers foerlag, box 69, folder 1314 |
|
853 |
Theatre Guild |
1933 Aug 1 |
|
854 |
Carl Strakosch |
1933 Dec 14 |
|
855 |
Amateur Plays, Inc. |
1935 Oct 25 |
|
856 |
Theatre Guild |
1941 Sep 3 |
|
857 |
Travelling Repertory Theatre
Limited |
1942 Oct 28 |
|
858 |
Whitehall Productions |
1948 Sep 22 |
|
859 |
David Merrick and Jo Mielziner |
1955 Apr 19 |
|
860-862 |
Programs and brochures |
1933-59, n.d. |
| 40 |
863-874 |
Clippings of reviews and
advertisements |
1933-65, n.d. |
All God's Chillun Got Wings
|
|
|
See also:
(Collected Plays, Volume II), |
|
|
box 44, folders 935-943
|
| 41 |
875-876 |
Draft, typescript and typescript
carbon, corrected |
n.d. |
|
|
[
Includes American Play Company binder.] |
|
|
Posters (4) for Dramatiska teatern
(Stockholm, Sweden) production |
1945 |
|
|
Stored in: Oversize, box 151,
folder 2615
|
|
877 |
Programs and brochures |
1923-45 |
|
878 |
Clippings of reviews and
advertisements |
1925-68, n.d. |
The Ancient Mariner
|
|
879 |
Clipping of review and letter to
editor |
1924, 1937 |
"And Give Me Death"
|
|
|
See: Cycle plays,
box 141, folder 2515 |
Anna Christie
|
|
|
See also: (Ideas
for plays), holograph, |
|
|
in notebook, box 77, folder 1425
See also: (Collected Plays, Volume I), box 43, folders 926-934
|
|
880 |
Draft, holograph, corrected |
1919 Apr 11 |
|
|
[
Includes note of explanation by CMO.] |
|
|
Contracts
|
|
881 |
George Crouse Tyler |
1919 May 23 |
|
882 |
Arthur Hopkins |
1921 Jun 11 |
|
883 |
Thomas H. Ince Corporation |
1923 Apr 3 |
|
884 |
Paolo Giordani |
1923 May 22 |
|
885 |
Arvid Englind |
1923 Sep 19 |
|
886 |
National Theatre of Greece |
1932 Jul 30 |
|
887 |
Carl Strakosch |
1936 Nov 23 |
|
888 |
Hans Bartsch |
1937 Oct 11 |
|
889 |
Reginald Fogwell |
1943 Mar 1 |
|
890 |
Joseph Kramm |
1948 Feb 26 |
|
891 |
Curtis Brown Ltd. |
1948 May 5 |
|
892 |
Ford Motor Company |
1949 Jan 5 |
|
893 |
Harald Bromley |
1952 Jan 11 |
|
894 |
Frederick Brisson, Robert E.
Griffith, and Harold S. Prince |
1956 Jun 27 |
|
895-899 |
Programs and brochures |
1921-57 |
| 42 |
900-908 |
Clippings of reviews and
advertisements |
1919-57, n.d. |
|
|
Clippings of reviews and
photographs for production in Lisbon (Portugal), in scrapbook |
1947 |
|
|
Includes note from Portuguese Purchasing and Trade Commission.
|
|
|
Stored in: Oversize, box 132,
folder 2489
|
Before Breakfast
|
|
|
See also:
(Collected Plays, Volume I), |
|
|
box 43, folders 926-934
|
|
909 |
Program |
1924 |
|
910 |
Clippings of reviews |
1954-58 |
Beyond the Horizon
|
|
|
See also:
(Collected Plays, Volume I), |
|
|
box 43, folders 926-934
|
|
911 |
Draft, holograph, corrected (photostat) |
n.d. |
|
|
[
Includes envelope annotated by EO: "Photostats longhand.
Beyond The Horizon. Bound East for Cardiff."] |
|
|
Contracts
|
|
912 |
John D. Williams |
1918 May 24 |
|
|
American Play Company |
1919 Jan 14 |
|
|
Stored in: Oversize, box 141,folder 2506
|
|
913 |
John D. Williams |
1920 Jan 1 |
|
914 |
John D. Williams |
1920 May 3 |
|
915 |
Jack De Leon |
1938 Feb 18 |
|
916 |
Carl Strakosch |
1947 Aug 19 |
|
917 |
Curtis Brown Ltd. |
1948 Nov 5 |
|
918 |
Enrique Serres Fluvia |
1948 Nov 12 |
|
919 |
Programs |
1933-63 |
|
920-921 |
Clippings of reviews |
1918-20 |
| 43 |
922-923 |
Clippings of reviews |
1921-62, n.d. |
|
|
Clippings of reviews, in scrapbook |
1920 |
|
|
Stored in: Oversize, box 133,
folder 2490
|
Bound East for Cardiff
|
|
|
See also:
(Collected Plays, Volume II), |
|
|
box 44, folders 935-943
|
|
924 |
Draft, holograph, corrected (photostat) |
n.d. |
|
|
See also: Beyond
the Horizon, box 42, folder 911 |
|
925 |
Program |
1957 |
"By Way of Obit"
|
|
|
See: Hughie,
box 54, folder 1096 |
|
|
1096-1105
|
"Career of Bessie Bowlan"
|
|
|
See: Cycle plays,
box 141, folders 2507 |
|
|
and 2514
|
"Chris Christopherson"
|
|
|
See: Anna
Christie, box 41, folders 880-899 |
|
|
880 through box 42, folder 908
|
(Collected Plays)
|
|
926-934 |
(Volume I), printed versions of
individual plays, disbound, corrected |
n.d. |
|
|
[
Contains: The Emperor Jones, Anna Christie, The
First Man, Welded, Diff'rent, Beyond the
Horizon, Before Breakfast, and The Dreamy Kid.] |
| 44 |
935-943 |
(Volume II), printed versions of
individual plays, disbound, corrected |
n.d. |
|
|
Contains: The Hairy Ape, The
Straw, All God's Chillun Got Wings, Gold, The Moon of the
Caribbees, Bound East for Cardiff, The Long Voyage Home, In the
Zone, Where the Cross Is Made, Ile, and The Rope.
|
Cycle plays
|
|
|
(Notes on plots and characters), holograph, in volume
|
1932-35
|
|
|
Includes notes on Days Without
End, Ah, Wilderness!, "Career of Bessie Bowlan," A Touch of the Poet, More
Stately Mansions, and "The Calms of Capricorn." Eight leaves excised at
front of volume.
|
|
|
"The
Calms of Capricorn, Act One - Scene One" |
|
|
Stored in: Oversize, box 141,
folder 2507
|
|
|
"Cycle (Family Tree Maps -
Continuance
of Characters Diagrams)," notes and drawings, holograph
|
1937 Jul
|
|
|
Stored in: Oversize, box 141,
folder 2508
|
|
|
"Cycle (Notes). Historical
Dates - Pertinent Facts - Etc.," notes, holograph and typescript
|
1937-42
|
|
|
Includes notes, holograph, on And
Give Me Death.
|
|
|
Stored in: Oversize, box 141,
folders 2509-2510
|
|
|
"Cycle (Expanded to Eleven
Plays). Notes & Outlines, New 1st Four Plays," holograph, in notebook
|
1940 Oct-Nov
|
|
|
Includes sixteen loose pages, holograph.
|
|
|
Stored in: Oversize, box 141,
folder 2511
|
|
944 |
"Cycle," notes, holograph |
1941 Apr, n.d. |
|
|
"Cycle - Character
Charts," holograph |
n.d. |
|
|
Stored in: Oversize, box 141,
folder 2512
|
|
|
"Cycle. Technique (Schemes -
Outlines - Notes)," notes, holograph |
n.d. |
|
|
Stored in: Oversize, box 141,
folder 2513
|
|
945 |
"Names, Dialects, etc.,"
lists, holograph |
n.d. |
|
946 |
Press release by Theatre Guild |
n.d. |
|
947 |
"Sets," drawings,
holograph |
n.d. |
|
948 |
"The Calms of Capricorn,"
notes and drawings, holograph |
n.d. |
|
|
#1
#2
#3
#4
#5 |
|
|
|
"Career of Bessie
Bowlan,"
notes, holograph |
n.d. |
|
|
Stored in: Oversize, box 141,
folder 2514
|
| 45 |
949 |
"The Earth is the Limit,"
notes, holograph |
n.d. |
|
|
Also includes notes, holograph, on The
Calms of Capricorn.
|
|
|
"Greed of the Meek"
|
|
|
Title pages and notes on scenes and
characters, holograph
|
n.d.
|
|
|
Also includes "And Give Me
Death." Includes note of explanation, holograph.
|
|
|
Stored in: Oversize, box 141, folder 2515
|
|
950 |
Notes on scenes and characters, holograph, in notebook |
n.d. |
|
951 |
Notes and drawing, holograph |
1937 |
|
|
"The Hair of the Dog,"
notes, holograph |
1937 |
|
|
Also includes notes on "The
Calms of Capricorn" and letter from (Joseph Corey?) to Saxe Commins, 1933 May 6,
enclosing Associated Press obituary for Kate Gleason.
|
|
|
Stored in: Oversize, box 141,
folder 2516
|
|
952 |
"The Man on Iron
Horseback," notes, holograph |
n.d. |
|
|
More Stately Mansions
|
|
|
Notes and drawings, holograph
#1
#2
#3
#4
#5
|
1935-39
|
|
|
Stored in: Oversize, box 141, folder 2517
|
|
953-958 |
Draft, typescript, corrected
#1
#2
#3
#4 |
1938 Sep 8 |
|
|
Missing pages 16 and 83 when received from
CMO.
|
|
959 |
Notes for revisions, holograph |
1938 |
|
|
"Notes and Outlines for
Rewriting A Touch of the Poet and More Stately Mansions,"
holograph, in notebook |
1938-41 |
|
|
Includes note of explanation, holograph, on cover. Includes eight
pages, holograph, laid in.
|
|
|
Stored in: Oversize, box 141, folder 2518
|
|
960 |
Contracts with Dramatiska teatern (Stockholm, Sweden) |
1957, 1959 |
|
961-962 |
Programs and brochures |
1962-63, n.d. |
|
963-965 |
Clippings of reviews and
advertisements |
1957-70, n.d. |
| 46 |
966 |
"Nothing Is Lost Save
Honor," notes, holograph |
1940 |
|
967 |
"Or Give Me Death," notes
and drawings, holograph |
1937 Jul |
|
|
A Touch of the Poet
|
|
|
See also:
"Notes and Outlines for Rewriting A Touch of the Poet
and More Stately Mansions," box 141, folder 2518 |
|
968 |
Drawing and notes for tavern |
1938-42 |
|
|
Sketch
of Simon's cabin |
|
|
969-970 |
Early
draft - Scenes, typescript, corrected |
1942 Nov 13 |
|
|
Characters,
typescript, corrected |
|
|
971-972 |
Later draft, typescript, corrected |
n.d. |
|
|
Poster for Belgian production |
(1959) Apr |
|
|
Stored in: Oversize, box 141, folder 2519
|
|
973 |
Contract with Robert Whitehead |
1956 Jun 15 |
|
974 |
Contract with Dramatiska teatern
(Stockholm, Sweden) |
(1957 Oc 1) |
|
975 |
Contract with S. Fischer Verlag |
1957 Oct 7 |
|
976 |
Contract with Dramatists Play
Service (New York, N.Y.) |
1960 Jan 7 |
|
977-981 |
Programs and brochures |
1957-63, n.d. |
|
982-983 |
Clippings of reviews and
advertisements |
1956-57 |
| 47 |
984-989 |
Clippings of reviews and
advertisements (cont.) |
1957-67, n.d. |
Days Without End
|
| 48 |
990 |
Inscriptions to Carlotta Monterey
O'Neill, holograph |
1934, 1935 |
|
991 |
Notes, holograph, "written
before, during, or after the writing of first draft" |
1931 Jul |
|
|
Includes note of explanation, holograph.
|
|
992 |
Notes, holograph, "made after
the writing of (remarks?) in notebook from year previously
(1927)" |
n.d. |
|
|
Includes note of explanation, holograph.
|
|
993 |
Notes and drawings for stage
settings, holograph |
n.d. |
|
|
Includes note of explanation, holograph.
|
|
994-996 |
Early draft, holograph, corrected |
1932 Nov 30 |
|
|
Inscribed to CMO, 1934 Jan.
Includes note of explanation, holograph.
|
|
997-999 |
Early intermediate draft,
holograph, corrected |
1933 Apr |
|
|
Inscribed to CMO, 1934 Jan.
Includes
note of explanation, holograph.
|
|
1000-1002 |
Later intermediate draft,
typescript, corrected |
1933 |
|
|
"The End of the End" is
holograph, corrected. Inscribed to CMO, 1934 Jan. Includes note of explanation,
holograph.
|
|
1003-1005 |
Later draft, typescript, corrected |
1933 Oct-Nov |
|
|
Inscribed to CMO, 1934 Jan.
Includes
note of explanation, holograph.
|
|
1006 |
Working copy, typescript carbon, corrected, in volume |
n.d. |
|
|
Includes insertions, holograph,
laid in. Inscribed to CMO, 1934 Jan.
|
|
|
Contracts
|
| 49 |
1007 |
M. H. Brander, Jr. |
1934 Mar 24 |
|
1008 |
Carl Strakosch |
1934 Apr 18 |
|
1009 |
Hans Bartsch |
1937 Oct 11 |
|
1010 |
Programs and brochures |
1933-35 |
|
1011-1015 |
Clippings of reviews and
advertisements |
1933-57, n.d. |
Desire Under the Elms
|
|
|
Poster for Toneeloroep Theater (Amsterdam, Netherlands) production
|
1965
|
|
|
Stored in: Oversize, bsd, folder
2639
|
|
|
Contracts
|
|
1016 |
Greenwich Village Playhouse, Inc. |
1924 Sep 15 |
|
1017 |
Peter Godfrey Limited |
1930 Oct 27 |
|
1018 |
London Mask Theatre, Ltd. |
1940 Jan 10 |
|
1019 |
William Rowland |
1941 Sep |
|
1020-1021 |
Programs and brochures |
1943-58, n.d. |
|
1022-1025 |
Clippings of reviews and
advertisements |
1933-40 |
| 50 |
1026-1032 |
Clippings of reviews and
advertisements (cont.) |
1941-65, n.d. |
Diff'rent
|
|
|
See also:
(Collected Plays, Volume I), |
|
|
box 43, folders 926-934
|
|
1033 |
Contract with Norman Macdermott |
1921 Oct 1 |
|
1034 |
Programs |
n.d. |
|
1035-1036 |
Clippings of reviews and
advertisements |
1937-61, n.d. |
The Dreamy Kid
|
|
|
See also:
(Collected Plays, Volume I), |
|
|
box 43, folders 926-934
|
|
1037 |
Printed version, Theatre Arts
Magazine |
1920 Jan |
|
1038 |
Contract with Theatre Arts, Inc. (3
copies) |
1937 Jul 16 |
|
1039 |
Clippings of reviews and
advertisements |
1939-57 |
Dynamo
|
| 51 |
1040 |
Notes, holograph, and pencil
drawings of scenes |
n.d. |
|
|
#1
#2
#3
#4
#5
#6
#7
#8 |
|
|
[
Includes letter from Horace Liveright, Inc. to CMO, 1932 Mar 18.
Includes note of explanation, holograph.] |
|
1041-1042 |
Early draft, holograph, in two
volumes |
n.d. |
|
1043 |
Later draft, carbon, corrected, in
volume |
n.d. |
|
|
Inscribed to CMO, Christmas 1929.
|
|
|
Early galley proof |
n.y. Feb 25-27 |
|
|
Includes insertions, typescript,
laid in. Inscribed to CMO. Includes note of explanation, holograph.
|
|
|
Stored in: Oversize, box 140,
folder 2498
|
|
|
Later galley proof, corrected |
n.y. May 14 |
|
|
Inscribed to CMO. Includes note of explanation, holograph.
|
|
|
Stored in: Oversize, box 140,
folder 2499
|
|
1044 |
Clippings of reviews |
1941 |
"The Earth is the
Limit"
|
|
|
See: Cycle plays,
box 45, folder 949 |
The Emperor Jones
|
|
|
See also:
(Collected Plays, Volume I), |
|
|
box 43, folders 926-934
|
|
1045 |
Production bulletin by Federal
Theatre Project (San Francisco, Calif.), typescript |
1937 |
|
|
[
Includes photographs.] |
|
|
Contracts
|
|
|
See also: Contract
with Hans Bartsch, box 53, folder 1090 |
|
1046 |
Maurice Bourgeois |
1922 Jul 27 |
|
1047 |
Adolph Klauber |
1922 Jul 31 |
|
1048 |
Gustaf Hellstroem |
1922 Sep 25 |
|
1049 |
Louis Gruenberg |
1930 May 2 |
|
1050 |
John Krimsky and Gifford Cochran |
1933 Feb 10 |
|
1051 |
John Krimsky and Gifford Cochran |
1933 Apr 18 |
|
1052 |
Enrico Raggio |
1949 Mar 11 |
|
1053-1054 |
Programs |
1923-64, n.d. |
| 52 |
1055-1063 |
Clippings of reviews and
advertisements |
1932-64, n.d. |
Exorcism
|
|
1064 |
Clipping of review |
(1919-20?) |
The First Man
|
|
|
See also:
(Collected Plays, Volume I), |
|
|
box 43, folders 926-934
|
|
1065 |
Contract with Augustus Duncan |
1922 Mar 2 |
|
1066 |
Clippings of reviews |
1926 |
Fog
|
|
1067 |
Draft, typescript carbon |
n.d. |
The Fountain
|
|
|
[
Contracts] |
|
1068 |
Greenwich Village Playhouse, Inc. |
1925 Jun 24 |
|
1069 |
Universum-Bohumil Perlik |
1935 Nov 29 |
|
1070 |
Program |
1925-26 |
|
1071 |
Clipping of review |
1937 Aug 10 |
Gag's End
|
|
1072 |
Notes, holograph, in notebook |
1940-41 |
|
1073 |
Draft of Act One, holograph,
corrected |
n.d. |
|
|
Includes notes titled "R. H.
play," holograph, 1941-43.
|
Gold
|
|
|
See also:
(Collected Plays, Volume II), |
|
|
box 44, folders 935-943
|
|
1074 |
Contract with John D. Williams |
1920 May 11 |
|
1075 |
Program |
1921 |
The Great God Brown
|
| 53 |
1076 |
Notes, holograph |
n.d. |
|
|
[
Includes "Author's foreword." Includes notes of
explanation, holograph.] |
|
1077 |
Early draft, holograph, corrected |
1925 Mar 22 |
|
|
Includes note of explanation, holograph.
|
|
1078 |
Intermediate draft, holograph,
corrected, in volume |
1925 Mar 25 |
|
|
Includes note of explanation, holograph.
|
|
1079-1080 |
Later draft, typescript carbon,
corrected |
n.d. |
|
|
Includes note of explanation, holograph.
|
|
|
Galley proof, corrected |
n.y. Jan 29-30 |
|
|
Includes note of explanation, holograph.
|
|
|
Stored in: Oversize, box 140,
folder 2500
|
|
1081 |
Essay about The Great God Brown,
holograph, corrected |
(1926) |
|
|
Printed in The New York Post,
1926.
|
|
|
Contracts
|
|
1082 |
S. Fischer Verlag |
1926 Mar 31 |
|
1083 |
Hans R. Dilling |
1926 Aug 24 |
|
1084 |
Programs and brochures |
1949-60 |
|
1085-1086 |
Clippings of reviews and
advertisements |
1936-59, n.d. |
"Greed of the Meek"
|
|
|
See: Cycle plays,
box 141, folder 2515 |
"The Hair of the Dog"
|
|
|
See: Cycle plays,
box 141, folder 2516 |
The Hairy Ape
|
|
|
See also:
(Collected Plays, Volume II), |
|
|
box 44, folders 935-943
|
|
|
Clippings of reviews, in scrapbook |
1922 |
|
|
[
Stored in: Oversize, box 134, folder 2491] |
|
|
Contracts
|
|
1087 |
Arthur Hopkins |
1922 Apr 3 |
|
1088 |
Maurice Bourgeois |
1922 Nov 25 |
|
1089 |
E. Washburn Freund |
1923 Mar 15 |
|
1090 |
Hans Bartsch |
1923 Apr 2 |
|
|
Includes The Emperor Jones.
|
|
1091 |
Carl Strakosch |
1933 Dec 1 |
|
1092 |
Jules Levey (2 copies) |
1943 May 4 |
|
1093 |
Programs and brochures |
1922-23, n.d. |
|
1094-1095 |
Clippings of reviews and
advertisements |
1922-60, n.d. |
Hughie
|
| 54 |
1096 |
Very early draft, holograph,
corrected |
n.d. |
|
1097 |
Early draft, typescript, corrected |
n.d. |
|
1098 |
Early intermediate draft,
typescript, corrected |
n.d. |
|
|
Includes note of explanation by CMO,
1952 May 22.
|
|
1099 |
Later intermediate draft,
typescript, corrected |
n.d. |
|
1100 |
Later draft A, typescript carbon,
corrected |
n.d. |
|
1101 |
Later draft B, typescript carbon,
in binder |
n.d. |
|
|
Binder signed by CMO.
|
|
1102 |
Programs and brochures |
1959-64, n.d. |
|
1103-1105 |
Clippings of reviews and
advertisements |
1955-65, n.d. |
The Iceman Cometh
|
|
1106 |
Notes and drawings, holograph |
1939, n.d. |
|
|
#1
#2
#3
#4
#5
#6
#7
#8
#9
#10 |
|
|
1107-1109 |
Very early draft, holograph,
corrected |
1939 |
|
|
Begun 1939 Jun 8; finished 1939 Nov
26. Includes note of explanation, typescript, signed.
|
|
1110-1113 |
Early draft, typescript, corrected
#1
#2 |
1939 Dec |
|
|
Inscribed to CMO, 1940.
|
| 55 |
1114 |
Early intermediate draft,
typescript, corrected, in volume |
1940 |
|
|
Inscribed to CMO. In CMO's hand:
"2nd typed draft from first typed corrected script."
|
|
|
Middle intermediate draft
|
|
1115 |
Typescript, corrected, in volume |
1940 |
|
|
Inscribed to CMO, 1941. In CMO's
hand: "2nd draft with cuts made before rehearsal."
|
|
1116 |
Typescript carbon, corrected, in
volume |
1940 |
|
|
In CMO's hand: "2nd draft with
cuts made before rehearsal."
|
|
1117 |
Typescript carbon, in volume |
1940 |
| 56 |
1118-1120 |
Later intermediate draft,
typescript, corrected |
n.d. |
|
|
Includes Hart Stenographic Bureau binder.
|
|
|
Later draft
|
|
1121-1123 |
Typescript |
n.d. |
|
|
Includes Hart Stenographic Bureau binder.
|
|
1124-1126 |
Typescript carbon |
n.d. |
|
|
Includes Hart Stenographic Bureau binder.
|
|
1127 |
Cast list for Theatre Guild
production, typescript carbon |
1946 Jul 8 |
|
|
Clippings, notes, and watercolor
drawings of costumes for Theatre Guild production |
1946 |
|
|
Drawings by Robert Edmond Jones.
|
|
|
Stored in: Oversize, box 151,
folders
2616-2620
|
|
|
Poster for Genova (Italy)
production (2 copies) Stored in: Oversize, bsd, folder 2640 |
(1965?) |
|
|
Poster for National Theatre (Great
Britain) production in Cottesloe Theatre |
n.d. |
|
|
Includes productions of Hughie
and The Long Voyage Home.
|
|
|
Stored in: Oversize, bsd, folder
2641
|
|
1128 |
Programs and brochures |
1947-48 |
|
1129-1133 |
Clippings of reviews and
advertisements |
1940-46 |
| 57 |
1134-1143 |
Clippings of reviews and
advertisements (cont.) |
1946-68, n.d. |
Ile
|
|
|
See also:
(Collected Plays, Volume II), |
|
|
box 44, folders 935-943
|
|
1144 |
Programs |
1918, 1958 |
|
1145 |
Clippings of reviews |
1921-42 |
In the Zone
|
|
|
See also:
(Collected Plays, Volume II), |
|
|
box 44, folders 935-943
|
|
1146 |
Programs |
1924, 1961, n.d. |
|
1147 |
Clippings of reviews |
1917-48 |
"The Last Conquest"
|
|
1148-1149 |
Prologue, notes, and drawings,
holograph |
1940-42 |
|
|
"Scene Four, The Hall of Last Suppers, Set,"
drawing |
|
|
"Scene
Eight, Set, Summit of Calvary," drawing |
|
|
[
Includes "The 13th Apostle."] |
Lazarus Laughed
|
| 58 |
1150 |
Notes and drawings, holograph
#1
#2
#3
#4
#5
#6
#7 |
n.d. |
|
|
Includes note of explanation, holograph.
|
|
1151-1153 |
Early draft, holograph, corrected |
1926 May 11 |
|
|
Includes note of explanation, holograph.
|
|
1154-1156 |
Intermediate draft, typescript,
corrected |
n.d. |
|
|
Includes note of explanation, holograph. Includes American Play
Company binder.
|
|
1157 |
Later draft, typescript carbon,
corrected, in volume |
n.d. |
|
|
Inscribed to CMO.
|
|
|
Galley proof, corrected |
n.d. |
|
|
Includes note of explanation, holograph.
|
|
|
Stored in: Oversize, box 140,
folder 2501
|
|
1158 |
Contract with A. S. Berkman |
1927 Aug 29 |
|
1159 |
Brochure |
1956 |
|
1160 |
Clippings of reviews and
advertisements |
1927-48 |
Long Day's Journey Into Night
|
|
1161 |
Plot summary, holograph
#1
#2 |
1939 Jun-Jul |
|
1162 |
Notes and drawings, holograph
#1
#2
#3
#4
#5 |
1940, n.d. |
|
|
Includes note by CMO.
|
|
|
Very early draft, holograph,
corrected #1
#2
#3
#4
#5
#6 |
1940 Sep 20 |
|
|
Inscribed to CMO, 1941 Jul 22.
|
|
|
Stored in: Oversize, box 142,
folders 2520-2523
|
|
1163-1164 |
Early draft, typescript, corrected
#1
#2 |
n.d. |
|
1165-1166 |
Intermediate draft, typescript,
corrected |
n.d. |
|
|
Later draft
|
| 59 |
1167 |
Typescript, in volume |
n.d. |
|
|
Inscribed to CMO, 1951 Dec 27.
|
|
1168-1169 |
Typescript carbon |
n.d. |
|
1170 |
Invitation to dinner to mark
publication |
1956 Feb 20 |
|
1171-1174 |
Financial reports for production by
Leigh Connell, Theodore Mann, and Jose Quintero |
1956-65 |
|
|
Poster advertising film (2 copies) |
n.d. |
|
|
Stored in: Oversize, box 142,
folder 2524
|
|
|
Contracts
|
|
1175 |
Random House (Firm) |
1955 Feb 17 |
|
|
Two different contracts.
|
|
1176 |
Carl Strakosch |
1956 Feb 8 |
|
1177 |
S. Fischer Verlag |
1956 Mar 15 |
|
1178 |
Jose Quintero, Theodore Mann, and
Leigh Connell |
1956 Jul 11 |
|
1179 |
Lars Schmidt |
1956 Jul 18 |
|
1180 |
Jose Quintero, Theodore Mann, and
Leigh Connell |
1956 Sep 19 |
|
1181-1182 |
Programs and brochures |
1955-56 |
| 60 |
1183-1189 |
Programs and brochures (cont.) |
1956-62, n.d. |
|
1190-1195 |
Clippings of reviews and
advertisements |
1955-56 Jul |
| 61 |
1196-1208 |
Clippings of reviews and
advertisements (cont.) |
1956 Aug-57 |
| 62 |
1209-1220 |
Clippings of reviews and
advertisements (cont.) |
1958-70, n.d. |
The Long Voyage Home
|
|
|
See also:
(Collected Plays, Volume II), |
|
|
box 4, folders 935-943
|
|
1221 |
Clipping of printed version,
annotated in unidentified hand |
n.d. |
|
|
[
Signed by Nina Moise.] |
|
1222-1225 |
Clippings of reviews and
advertisements |
1939-61, n.d. |
"The Man on Iron
Horseback"
|
|
|
See: Cycle plays,
box 45, folder 952 |
Marco Millions
|
| 63 |
1226 |
Notes and drawings, holograph |
n.d. |
|
|
Includes note of explanation, holograph.
|
|
1227-1228 |
Early draft, holograph, in two
volumes |
1923-24 |
|
|
Begun 1923 Aug 11; finished 1924
Oct 11.
|
|
1229-1231 |
Later draft, typescript carbon,
corrected |
n.d. |
|
|
Contracts
|
|
1232 |
Theatre Guild |
1927 May 21 |
|
1233 |
London Mask Theatre, Ltd. |
1938 Nov 30 |
|
1234 |
Programs |
1964, n.d. |
|
1235-1237 |
Clippings of reviews and
advertisements |
1927-64, n.d. |
A Moon for the Misbegotten
|
| 64 |
1238 |
Notes and drawings, holograph |
1941-43 |
|
|
Early draft, holograph, corrected |
1943 May 17 |
|
|
Note by EO: "2nd d."
|
|
|
Stored in: Oversize, box 142,
folders 2525-2526
|
|
1239-1240 |
Intermediate draft, typescript,
corrected #1
#2
#3 |
n.d. |
|
|
Includes holograph pages.
#1
#2
#3 |
|
1241-1243 |
Later draft, typescript |
n.d. |
|
|
Signed by CMO, 1947.
|
|
|
Contracts
|
|
1244 |
Carl Strakosch |
1952 Aug 29 |
|
1245 |
Jonathan Cape Limited |
1952 Sep 10 |
|
1246-1247 |
Programs |
1919-69, n.d. |
|
1248-1254 |
Clippings of reviews and
advertisements |
1947-56 |
| 65 |
1255-1259 |
Clippings of reviews and
advertisements (cont.) |
1957-68, n.d. |
The Moon of the Caribbees
|
|
|
See also:
(Collected Plays, Volume II), box 44, folders 935-943 |
|
1260 |
Clipping of printed version |
n.d. |
More Stately Mansions
|
|
|
See: Cycle plays,
box 45, folder 953-965 |
Mourning Becomes Electra
|
| 66 |
1261 |
Notes on characters and story, holograph, in volume |
n.d. |
|
|
[
Inscribed to CMO, 1930 Jan 15.] |
|
1262 |
Notes on dialogues, holograph, in
volume |
n.d. |
|
|
Inscribed to CMO, 1934 Mar.
|
|
1263 |
Dialogue, holograph and typescript
carbon, corrected |
n.d. |
|
1264-1266 |
"Homecoming," very early
draft, holograph, corrected |
n.d. |
|
1267-1268 |
"The Hunted," very early
draft, holograph, corrected |
n.d. |
|
1269-1270 |
"The Haunted," very early
draft, holograph, corrected |
1930 Feb 12 |
|
1271-1273 |
"Homecoming," early
draft, holograph, corrected |
n.d. |
|
|
Inscription to
CMO, 1931 Apr 23.
|
|
1274-1275 |
"The Hunted," early
draft, holograph, corrected |
n.d. |
| 67 |
1276-1277 |
"The Haunted," early
draft, holograph, corrected |
1930 Jul 11 |
|
1278-1280 |
"Homecoming," early
intermediate draft, typescript |
n.d. |
|
1281-1283 |
"The Hunted," early
intermediate draft, typescript |
n.d. |
|
1284-1286 |
"The Haunted," early
intermediate draft, typescript |
n.d. |
|
1287-1289 |
"Homecoming," early
intermediate draft, typescript carbon, corrected |
n.d. |
|
|
Includes note of explanation, holograph.
|
|
1290-1291 |
"The Hunted," early
intermediate draft, typescript carbon, corrected |
n.d. |
|
|
Includes note of explanation, holograph.
|
| 68 |
1292-1293 |
"The Haunted," early
intermediate draft, typescript carbon, corrected |
n.d. |
|
|
Includes note of explanation, holograph.
|
|
1294-1296 |
"Homecoming," later
draft, typescript |
n.d. |
|
|
Includes note of explanation, holograph.
|
|
1297-1298 |
"The Hunted," later
draft, typescript |
n.d. |
|
1299-1300 |
"The Haunted," later
draft, typescript |
n.d. |
|
1301-1302 |
"Homecoming," working
copy, typescript carbon, corrected |
n.d. |
|
|
Inscribed to CMO, 1935 Dec 28. Includes note of explanation,
holograph.
|
|
1303 |
"The Hunted," working
copy, typescript carbon, corrected |
n.d. |
|
1304 |
"The Haunted," working
copy, typescript carbon, corrected |
n.d. |
| 69 |
1305 |
All three plays, first galley
proof, corrected, in volume |
n.y. Jul 11-17 |
|
1306-1307 |
"Homecoming," second
galley proof, corrected, in volume |
n.d. |
|
|
Includes insertions, holograph,
laid in, and loose notes, holograph.
|
|
1308-1309 |
"The Hunted," second
galley proof, corrected, in volume |
n.d. |
|
|
Includes insertions, holograph,
laid in.
|
|
1310-1311 |
"The Haunted," second
galley proof, corrected, in volume |
n.d. |
|
|
Includes insertions, holograph,
laid in.
|
|
|
"The Haunted," galley
proof |
n.d. |
|
|
Stored in: Oversize, box 140,
folder 2502
|
|
1312 |
Production notes by Carlotta
Monterey O'Neill, typescript and carbon |
1961 Aug 20 |
|
|
Contracts
|
|
1313 |
Hans Bartsch |
1936 Jan 22 |
|
1314 |
Albert Bonniers foerlag (4 copies) |
1937 Apr 19 |
|
|
Includes Ah, Wilderness!.
|
|
1315 |
Anmer Hall |
1937, 1938 |
|
1316 |
RKO Radio Pictures, Inc. |
1946, 1947 |
|
1317 |
Robert Fryer |
1956 Nov 7 |
|
1318 |
Tschechischem National Theatre
(Prague, Czech Republic) |
n.d. |
|
1319-1323 |
Programs and brochures |
1931-67, n.d. |
| 70 |
1324-1335 |
Clippings of reviews and
advertisements |
1931-38 |
| 71 |
1336-1342 |
Clippings of reviews and
advertisements |
1939-67, n.d. |
Nine Plays
|
|
1343 |
Brochure |
n.d. |
"Nothing Is Lost Save
Honor"
|
|
|
See: Cycle plays,
box 46, folder 966 |
"The Ole Davil"
|
|
|
See: Anna
Christie, box 41, folders 880-899 |
|
|
880 through box 42, folder 908
|
Recklessness
|
|
1344 |
Draft, typescript carbon |
n.d. |
The Rope
|
|
|
See also:
(Collected Plays, Volume II), |
|
|
box 44, folders 935-943
|
|
1345 |
Clippings of reviews |
1955 |
S. S. Glencairn
|
|
1346-1347 |
Programs and brochures |
1924-66, n.d. |
|
1348 |
Clippings of reviews and
advertisements |
1966 |
Servitude
|
|
1349 |
Clipping of review |
1960 Apr 13 |
Strange Interlude
|
| 72 |
1350 |
Notes and drawings, holograph |
n.d. |
|
|
Early draft, holograph, corrected
|
|
1351-1353 |
Vol. I |
1927 Feb 24 |
|
1354-1356 |
Vol. II |
1927 Feb 24 |
|
1357-1359 |
Vol. III |
1927 Feb 24 |
|
1360-1362 |
Intermediate draft, typescript
carbon, corrected |
n.d. |
| 73 |
1363-1365 |
Later draft, typescript carbon,
corrected |
n.d. |
|
|
[
Includes note of explanation, holograph.] |
|
|
Galley proof, corrected |
n.d. |
|
|
Includes note of explanation, holograph.
|
|
|
Stored in: Oversize, box 140,
folder 2503
|
|
|
Legal Case Regarding Plagiarism
|
|
|
See also: (Ideas,
scenarios, and notes for plays), holograph, in notebook, box 77,
folder 1426 |
|
1366 |
"Page for Page
Comparisons," holograph |
n.d. |
|
1367 |
"Eugene O'Neill's Comments on
First List of Alleged Similarities. Page for Page
Comparisons," typescript |
n.d. |
|
1368 |
Closing arguments in Georges Lewys
vs. Eugene O'Neill, typescript |
1931 Mar 16 |
|
1369 |
Closing arguments in Georges Lewys
vs. Eugene O'Neill, typescript carbon, corrected |
1931 Mar 16 |
|
|
Contracts
|
|
1370 |
Fanny R. Wallich |
1935 May 31 |
|
1371 |
Petru Comarnescu |
1939 Jan 11 |
|
1372 |
Loew's Incorporated |
1955 Aug 5 |
|
1373-1375 |
Programs and brochures |
1928-63, n.d. |
|
1376-1378 |
Clippings of reviews and
advertisements |
1928-65, n.d. |
The Straw
|
|
|
See also:
(Collected Plays, Volume II), |
|
|
box 44, folders 935-943
|
|
1379 |
Contract with George Crouse Tyler |
1919 Dec 15 |
|
1380 |
Clippings of reviews and
advertisements |
1920-38, n.d. |
Thirst
|
|
1381 |
Draft, typescript carbon (2 copies) |
n.d. |
|
|
[
Includes Richard J. Madden Play Company, Inc. binder.] |
A Touch of the Poet
|
|
|
See: Cycle plays,
box 46, folder 968 |
|
|
through box 47, folder 989
|
"The Visit of Malatesta"
|
| 74 |
1382 |
Notes and outline, holograph, in notebook |
1940-41 |
Warnings
|
|
1383 |
Draft, typescript carbon (2 copies) |
n.d. |
The Web
|
|
1384 |
Draft, typescript carbon |
n.d. |
Welded
|
|
|
See also:
(Collected Plays, Volume I), |
|
|
box 43, folders 926-934
|
|
|
Contracts
|
|
1385 |
Arch Selwyn |
1924 Feb 4 |
|
1386 |
Cai Ingersley Nielsen |
1948 Apr 13 |
|
1387 |
Clipping of review |
n.d. |
Where the Cross Is Made
|
|
|
See also:
(Collected Plays, Volume II), |
|
|
box 44, folders 935-943
|
|
1388 |
Program |
1939 |
|
1389 |
Clipping of review |
1920 Jun 9 |
POEMS
|
| 75 |
1390 |
"Ballad of the Seamy
Side," typescript, corrected |
n.d. |
|
1391 |
(Dirty bricks of buildings...),
typescript |
n.d. |
|
|
[
On Tao House stationery.] |
|
|
"Eyes"
|
|
1392 |
Typescript |
1917 |
|
|
Typescript, corrected, on Tao House
(Danville, Calif.) stationery |
n.d. |
|
|
Manuscript, in Carlotta Monterey
O'Neill's hand |
n.d. |
|
1393 |
"Fragment Suggested by
Newspaper Article," holograph |
n.d. |
|
1394-1395 |
"Fragments" |
1942 |
|
|
Drafts, holograph, corrected; typescript, corrected; and typescript
carbon. Includes copies in CMO's hand. Includes two envelopes.
|
|
1396 |
"Free," typescript |
n.d. |
|
|
On Tao House stationery.
|
|
1397 |
"The Ghost," holograph |
n.d. |
|
|
Annotated by CMO: "Eugene
O'Neill -
year (?)."
|
|
1398 |
"Good Night," typescript,
corrected |
n.d. |
|
|
Includes typescript, corrected, on Tao House stationery, annotated by
EO: "Hell Hole - 1916."
|
|
1399 |
(I had dwelt too long in lives...),
typescript, corrected |
1915 |
|
1400 |
(In that last hour...), typescript,
corrected |
n.d. |
|
|
On Tao House stationery. Annotated
by
EO: "Hell Hole - 1915."
|
|
1401 |
"Moonlight," typescript |
1916 |
|
1402 |
"Quiet Song in Time of
Chaos" |
1940 Dec 28 |
|
|
"To Carlotta on Her
Birthday." Six copies: one holograph; three typescript, corrected; two
typescript. Two envelopes.
|
|
1403 |
"Revolution," holograph,
corrected |
1916 |
|
|
"Silence"
|
|
1404 |
Holograph, corrected |
1916 Jul 9 |
|
|
Typescript, corrected |
n.d. |
|
1405 |
"Song in Chaos" |
1942 Dec 28 |
|
|
Five copies: one holograph
(includes envelope); two typescript, corrected; one typescript; one typescript
carbon.
|
|
|
"A Song of Moods"
|
|
1406 |
Typescript, corrected |
1914 |
|
|
Typescript |
n.d. |
|
|
Manuscript, in Carlotta Monterey
O'Neill's hand |
n.d. |
|
|
"The Stars"
|
|
1407 |
Typescript, corrected |
1915 |
|
|
Typescript, corrected, on Tao House
(Danville, Calif.) stationery |
n.d. |
|
1408 |
"'Tis of Thee,"
typescript, corrected |
n.d. |
|
|
On Tao House stationery, annotated
by EO: "Hell Hole - 1917."
|
|
|
(What do you see...)
|
|
1409 |
Holograph, corrected |
1915 |
|
|
Typescript, corrected, on Tao House
(Danville, Calif.) stationery |
n.d. |
|
1410 |
"The White Night,"
typescript |
n.d. |
|
|
On Tao House stationery, annotated
by
EO: "Hell Hole - 1916."
|
|
1411 |
Unidentified fragment, holograph |
n.d. |
OTHER WRITINGS
|
|
|
The American Spectator. Vol.
I, No. 4; Vol. I, No. 5; Vol. I, No. 7; Vol. I, No. 8
|
1933 Feb-Jun
|
|
|
Stored in: Oversize, box 151,
folder 2621
|
| 76 |
1412 |
"From Alice in Baccilland,"
holograph |
n.d. |
|
1413 |
(Maksim Gorky), holograph |
(1936) |
|
|
On Casa Genotta stationery.
|
|
|
Inscriptions: Eugene O'Neill to Carlotta Monterey O'Neill
|
|
1414 |
Transcriptions in Carlotta Monterey
O'Neill's hand, in notebook |
n.d. |
|
|
Includes copies of photographs.
|
|
|
Two envelopes (titles in Carlotta
Monterey O'Neill's hand) that housed inscriptions |
n.d. |
|
|
Stored in: Oversize, box 142, folder 2527
|
|
|
"Last Will and Testament of
Silverdene Emblem O'Neill"
|
|
1415 |
Early draft, holograph, corrected |
n.d. |
|
|
Annotated in CMO's hand: "1940
Dec 17."
|
|
1416 |
Later draft, typescript, corrected |
n.d. |
|
1417 |
Copies (eight) made after Eugene
O'Neill's death, typescript and carbon |
1955, n.d. |
|
|
Two copies signed by CMO, one inscribed to Eugene Davidson, 1955
Oct 3.
|
|
1418 |
(Nobel Prize acceptance speech),
draft, holograph and typescript, corrected |
(1936) |
|
1419 |
"O'Neill on Strindberg,"
clipping of printed version, The New York Times |
1924 Jan 6 |
|
1420 |
"Professor G. P. Baker,"
clipping of printed version, The New York Times |
1935 Jan 13 |
|
1421 |
"Tributes to George Pierce
Baker by Eugene O'Neill and Lee Simonson," printed version, The
Emerson Quarterly (2 copies) |
1935 Jan |
NOTES
|
| 77 |
1422 |
(Books by others), holograph |
n.d. |
|
1423 |
"Cycles," holograph |
n.d. |
|
|
Chronicles O'Neill's life and work,
1888-1946.
|
|
1424 |
(Don Juan of Austria and Phillip
II), holograph |
n.d. |
|
1425 |
(Ideas for plays), holograph, in
notebook |
(1918-20) |
|
|
Cover,
with part of first page showing |
|
|
|
"Act
III, Scene II," drawing |
|
|
|
Notes
on "Anna Christie" |
|
|
|
"Chris
Christophersen" |
|
|
|
"Exorcism,"
notes and drawings |
|
|
|
"Honor
Among the Bradleys," notes and drawings |
|
|
|
"Shell-Shock,"
notes |
|
|
|
"Silence,"
drawing |
|
|
|
"The
Trumpet," notes |
|
|
|
"'To
Overflowing,' 'Away!,' 'Carry On,'" drawing |
|
|
1426 |
(Ideas, scenarios, and notes for
plays), holograph, in notebook |
(1920s-30s) |
|
|
Includes note of explanation, holograph. Also includes material
regarding Strange Interlude legal case.
|
|
1427 |
"Ideas for Possible Future
Plays," holograph, in notebook |
1934-38 |
|
1428 |
(Ideas for plays), holograph |
n.d. |
|
|
"Idea
Play or Pantomime or P-Ballet" |
|
|
|
"Scheme
- Production of Lazarus as combination talky" |
|
|
1429 |
"List of all plays ever
written by me, including those I later destroyed, giving where and
when they were written," holograph, in notebook |
n.d. |
|
|
Lists plays, 1913-37.
|
|
1430 |
"Negro Play," holograph |
n.d. |
|
1431 |
Nietzsche quotations, holograph |
n.d. |
|
|
(Notes on plots and characters), holograph, in volume |
1932-35 |
|
|
See: Cycle plays,
box 141, folder 2507 |
|
1432 |
"Notes - Principally
Concerning Masks (From a Notebook)," holograph, typescript,
and typescript carbon, corrected |
n.d. |
|
1433 |
"Play about Aeschylus,"
holograph |
n.d. |
|
1434 |
"Robespierre," holograph |
n.d. |
|
1435 |
(Shih Huang-Ti), holograph, in
notebook |
n.d. |
|
|
Includes one loose page.
|
|
1436 |
"Time Wearily Coiling,"
holograph note |
n.d. |
WORK DIARIES
|
| 78 |
1437 |
Work diary, holograph, in volume |
1924-28 |
|
1438 |
Work diary, holograph, in volume,
Jun 22 |
1929-33 |
|
|
Inscribed by CMO, 1931 Sep.
|
|
1439 |
Work diary, holograph, in volume |
1934-38 |
|
1440 |
Work diary, holograph, in volume |
1939-43 |
WRITINGS OF OTHERS
|
| 79 |
1441 |
Bowen, Croswell. "Eugene
O'Neill's Magic Mountain," typescript carbon, corrected |
n.d. |
|
|
Assisted by Shane Rudraighe
O'Neill.
|
|
|
Cane, Melville
|
|
1442 |
"I Remember Distinctly,"
poem, holograph |
1946 Mar 2 |
|
|
"A Song for Linda," poem,
typescript |
1947 Sep 8 |
|
|
Sent to CMO.
|
|
|
Clark, Barrett Harper
|
|
1443 |
"Aeschylus and O'Neill,"
printed version |
1932 Nov |
|
|
Annotated: "With regards from
BHC."
|
|
1444 |
(Eugene O'Neill), typescript
carbon, corrected |
n.d. |
|
|
Annotated: "For the London
Arts Gazette."
|
|
|
Davidson, Eugene
|
|
1445 |
(Review of Long Day's Journey
Into Night), typescript, corrected, signed |
n.d. |
|
1446 |
(Review of A Touch of the Poet),
typescript carbon, signed |
n.d. |
|
1447 |
Dowson, Ernest Christopher. (Impenitentia
ultima), in Eugene O'Neill's hand |
n.d. |
|
1448 |
Hsiao, Chi'en. "Chinese
Writers' Dilemma," clipping of printed version, The
Listener |
1942 Jun 18 |
|
1449 |
Jones, Robert Edmond. "The
Drama of the Future," typescript, corrected |
1942 Dec 12 |
|
|
Noted on cover: "Delivered at
the
Metropolitan Museum at the Drama
Symposium, Jan. 21, 1943."
|
|
1450 |
Josephson, Lennart Hjalmar. (Notes
on Eugene O'Neill's cycle plays taken from EO's work diary),
holograph |
n.d. |
|
1451 |
Kapp, David. "Judgement
Day," poem, typescript, signed |
n.d. |
|
1452 |
Kozol, Harry L. "The
Psychopath Before the Law," printed version, New England
Journal of Medicine |
1959 Mar 26 |
|
|
Inscribed to CMO, 1959 Jul 17. Includes mailing envelope.
|
|
1453 |
Langner, Lawrence. "O'Neill
and Strange Interlude" and "O'Neill and The
Iceman Cometh," printed version, annotated by Carlotta
Monterey O'Neill |
(1951) |
|
|
From The Magic Curtain: The
Story of
a Life in Two Fields, Theatre and Invention, By the Founder of the
Theatre Guild (New York: Dutton, 1951), p. 228-287 and p. 397-480.
|
|
1454 |
Levy, Martin David. "Mourning
Becomes Electra (Opera Treatment, in Four Acts)," typescript
carbon |
n.d. |
|
1455 |
Mana-Zucca. "The Golden
Rule," printed musical score |
1946 |
|
|
Inscribed to EO. Includes two
drafts, holograph, of "Rap, Rap, Rap Song" and "Potato Song."
|
|
1456 |
Middleton, George. "The
Dramatists Guild: What It Is and Does...How It Happened and
Why...," printed version |
1959 Jun |
|
|
Inscribed to CMO.
|
|
1457-1467 |
Miller, Jordan Yale. "A
Critical Bibliography of Eugene O'Neill," typescript carbon |
(1956?) |
| 80 |
1468 |
Molina-Tellez, Felix. "Un tema
de nuestra epoca," printed version |
n.d. |
|
|
Inscribed to EO in Spanish, 1937.
|
|
1469 |
Nathan, George Jean. "Eugene
O'Neill," printed version, annotated by Carlotta Monterey
O'Neill |
(1952) |
|
|
From The World of George Jean Nathan (New York: Knopf, 1952), p.
30-43.
|
|
|
O'Neill, Eugene, Jr.
|
|
1470 |
"The Attic Pattern,"
clipping of printed version, The New York Times Book Review |
1945 Jan 28 |
|
|
Review of Paideia: The Ideals of
Greek Culture by Werner Jaeger.
|
|
1471 |
"Down Pindar's 'Impetuous,
Dithyrambic Tide,'" clipping of printed version, The New
York Times Book Review |
1947 Apr 6 |
|
|
Review of The Odes of Pindar
translated by Richmond Lattimore.
|
|
1472 |
"England's Golden Age,"
clipping of printed version, The New York Times Book Review |
1947 Apr 20 |
|
|
Review of The Portable
Elizabethan
Reader edited by Hiram Haydn.
|
|
1473 |
"Famous Voyage,
Cut-Rate," clipping of printed version, The New York Times
Book Review |
1946 Dec 8 |
|
|
Review of Homer's Odyssey
translated by E. V. Rieu.
|
|
1474 |
"Finest Intellect of
Antiquity," clipping of printed version, The Saturday
Review of Literature |
1946 Dec 21 |
|
|
Review of The Politics of
Aristotle translated by Ernest Barker.
|
|
1475 |
Fitts, Dudley and Robert
Fitzgerald, trans. The Antigone of Sophocles. Review of,
printed version, American Journal of Philology |
1939 Oct |
|
|
Inscribed to EO and CMO.
|
|
1476 |
"Homeric Hexameters,"
clipping of printed version, The New York Times Book Review |
1944 Nov 5 |
|
|
Review of William Benjamin Smith
and Walter Miller's translation of Homer's Iliad.
|
|
1477 |
"The Importance of Final
Syllables in Greek Verse," printed version, Transactions
of the American Philological Association |
1939 |
|
|
Inscribed to EO and CMO.
|
|
1478 |
"The Localization of Metrical
Word-Types in the Greek Hexameter: Homer, Hesiod, and the
Alexandrians," printed version, Yale Classical Studies |
1942 |
|
|
Inscribed to EO and CMO.
|
|
1479 |
"Note on Phrynichus' Phoenissae
and Aeschylus' Persae, printed version, Classical
Philology |
1942 Oct |
|
|
Inscribed to EO and CMO.
|
|
1480 |
Page, Denys Lionel. Euripides.
Medea. Review of, printed version, American Journal of
Philology |
1939 Oct |
|
|
Inscribed to EO and CMO.
|
|
1481 |
"The Prologue of the Troades
of Euripides," printed version, Transactions of the
American Philological Association |
1941 |
|
|
Inscribed to EO and CMO.
|
|
1482 |
Schuetze, Kurt. Beitraege zum
Verstaendnis der Phainomena Arats. Review of, printed version,
Gnomon |
1938 Mar |
|
|
Inscribed to EO and CMO.
|
|
1483 |
"Values From Above,"
clipping of printed version, The New York Times Book Review |
1945 Feb 25 |
|
|
Review of Plato and Modern
Education by Richard Livingstone.
|
|
1484 |
Wifstrand, Albert. Von
Kallimachos zu Nonnos, metrischstilistiche Untersuchungen zur
spaeteren griechischen Epik und zu verwandten Gedichtgattungen.
Review of, printed version, American Journal of Philology |
1936 Jul |
|
|
Inscribed to EO.
|
|
1485 |
"Word-Accents and Final
Syllables in Latin Verse," printed version, Transactions
of the American Philological Association |
1940 |
|
|
Inscribed to EO.
|
|
1486 |
Shaw, Patricia Joudry. "Longer
is the Journey Through the Night: A Drama in Three Acts Written
Posthumously by Eugene O'Neill and Transmitted in Automatic
Writing Through the Hand of a Spiritualistic Medium,"
typescript mimeograph |
1961 |
|
|
Includes letter from Shaw to CMO, 1962 Jan 16.
|
|
|
Sheaffer, Louis
|
|
1487 |
"The Question Is, Where's Off
Broadway Going?," typescript carbon, corrected |
n.d. |
|
1488 |
(Review of Desire Under the Elms
at Circle in the Square, staged by Jose Quintero), typescript
carbon, corrected |
n.d. |
|
1489 |
Weinberger, Harry. "Sale of
Private Letters," typescript carbon, corrected |
n.d. |
|
1490 |
Unidentified. "Eugene
O'Neill's A Touch of the Poet: The Hague Company's
Impressive Performance," drafts, typescript and carbon |
n.d. |
|
|
Initials: "B. S." |
| Box |
Folder |
|
Date |
