Bibliografia

I. Fonti Primarie

I.1. Opere di Eugene O’Neill

The Plays of Eugene O’Neill, 3 Vols, New York, Random House, 1955.

Long Day’s Journey into Night, London, Jonathan Cape, 1956.

Complete Plays, 3 Vols, New York, The Library of America, 1988                       

Selected Letters of Eugene O’Neill, ed. by Travis Bogard and Jackson Bryer, New York, Limelight, 1994.

I.2. Opere di Lars Norén

Tre skådespel [contiene: Modet att döda; Orestes; Akt utan nåd], Stockholm, Bonniers, 1980.

Två skådespel [contiene: Natten är dagens mor; Kaos är granne med Gud], Stockholm, Bonniers, 1983.

Och ge oss skuggorna, Stockholm, Bonniers, 1991.

Tre borgerliga kvartetter [contiene: Höst och vinter; Bobby Fischer bor i Pasadena; Sommar], Stockholm, Bonniers, 1992.

De döda pjäserna, Vol. I-IV, Stockholm, Bonniers, 1995.

Tre quartetti [contiene: La notte è madre del giorno; Nostre ombre quotidiane; Autunno e inverno e una postfazione di F. Quadri], Milano, Ubulibri, 1995.

II. Fonti Secondarie

II.1. Letteratura critica su Eugene O’Neill 

BAJMA GRIGA, S., La crisi dell’american dream. Per una rilettura del teatro borghese di O’Neill, Torino, Tirrenia, 1987.

BARLOW, J.E., “Long Day’s Journey into Night: from Early Notes to Finished Play”, in: Modern Drama, 22:1, 1979, pp. 19-28.

BLACK, S.A., “Reality and its Vicissitudes: the Problem of Understanding in Long Day’s Journey into Night”, in: The Eugene O’Neill Review, 16:2, Fall 1992, pp. 57-72.

_____ ,  File on O’Neill, London, Methuen, 1993.

_____ ,  Eugene O’Neill. Beyond Mourning and Tragedy, New Haven and London, Yale University Press, 1999.

BOGARD, T., Contour in Time. The Plays of Eugene O’Neill, New York, Oxford University Press, 1972.

BOGARD, T.  (ed.), The Eugene O’Neill Songbook, Berkeley, East Bay Books, 1993.

BOGARD, T. & BRYER, J.R. (eds), Selected Letters of Eugene O’Neill, New York, Limelight, 1994.

BOULTON, A., Part of a Long Story , New York, Doubleday,1958.

BOWEN, C., The Curse of the Misbegotten: a Tale of the House of O’Neill , New York, Mc Graw Hill, 1959.     

CAMBON, G., “O’Neill e il dramma dell’anima americana”, in: Studi Americani, III, 1957, pp. 293-313.

CARDULLO, B., “Dreams of Journey”, in: English Language Notes, vol. 34, No. 1, 1996, pp. 86-89.

CARGILL, O.; FAGIN, N.B.; FISHER, W.J. (eds), O’Neill and His Plays. Four Decades of Criticism, New York, New York University Press, 1961.

CARPENTER, F., Eugene O’Neill, rev. ed., Boston, Twayne, 1979.

CHAPMAN, J., “The Seven Haunted O’Neills”, The New York Times, Dec. 16, 1956.

CHOTHIA, J., Forging a Language. A Study of the Plays of Eugene O’Neill, Cambridge, Cambridge University Press, 1979.

COMMINS, D., (ed.), “Love and Admiration and Respect”. The O’Neill-Commins Correspondence, Durham, Duke University Press, 1986.

DAWES, J.R., “Drama and Ethics, Grief and Privacy: the Case of Eugene O’Neill”, in: The Eugene O’Neill Review, 17:1-2, Spring-Fall 1993, pp. 85-92.

DUBOST, T., Struggle, Defeat or Rebirth: Eugene O’Neill’s Vision of Humanity, Jefferson, North Carolina, Mc Farland, 1997.

ESTRIN, M.W. (ed.), Conversations with Eugene O’Neill, Jackson & London, University of Mississippi Press, 1990.

FALK, D., Eugene O’Neill and the Tragic Tension, New Brunswick, New Jersey, Rutgers University Press, 1958.

FLOYD, V. (ed.), Eugene O’Neill. A World View, New York, Frederick Ungar, 1979.

_____ , Eugene O’Neill at Work, New York, Frederick Ungar, 1981.

_____ ,  The Plays of Eugene O’Neill. A New Assessment, New York, Frederick Ungar, 1985.

FRENZ, H. (ed.), American Playwrights on Drama, New York, Hill & Wang, 1965.

FRENZ, H. & TUCK, S. (eds), Eugene O’Neill’s Critics. Voices from Abroad, Carbondale, Southern Illinois University Press, 1984.

GASSNER, J. (ed.), O’Neill: a Collection of Critical Essays, Englewood Cliffs, NJ, Prentice Hall, 1964.

GELB, A. & B., O’Neill, New York, Harper & Row, 1962.

_____ , O’Neill. Life With Monte Cristo, New York, Applause, 2000.

MANHEIM, M., Eugene O’Neill: New Language of Kinship, Syracuse, NY, Syracuse University Press, 1982.

_____ ,  (ed.) The Cambridge Companion to Eugene O’Neill, Cambridge, Cambridge University Press, 1998.

MARTINE, J. (ed.), Critical Essays on Eugene O’Neill, Boston, G.K. Hall & Co., 1984.

MILLER, J.W., Eugene O’Neill and the American Critic: a Summary and Bibliographic Checklist, Hamnden, Ct, Archon Books, 1962.

PECK, S., “Talk with Mrs O’Neill”, The New York Times, Nov. 4, 1956.

PFISTER, J., Staging Depth. Eugene O’Neill and the Politics of Psychological Discourse, Chapel Hill, University of North Carolina Press, 1995.  

PORTER, L., The Banished Prince: Time, Memory and Ritual in the Late Plays of Eugene O’Neill, Ann Arbor, UMI Res. Press, 1988.

_____ ,  “Modern and Postmodern Wastelands: Long Day’s  Journey into Night and Shepard’s Buried Child”, in: The Eugene O’Neill Review, 17:12, 1993, pp. 106-119. 

QUINTERO, J., If You Don’t Dance, They Beat You, Boston, Little & Brown, 1974.  

RALEIGH, J.H., The Plays of Eugene O’Neill, Carbondale, Southern Illinois University Press, 1965.  

_____ ,  “Two Sides of an American Past”, in: Voelker, P. (ed.), Eugene O’Neill, Milwaukee, The Milwaukee Repertory Theatre Company, 1978, pp. 20-28.

RANALD, M.L., The Eugene O’Neill Companion, Westport, Ct, Greenwood Press, 1984.

SHEAFFER, L., O’Neill, Son and Playwright, Boston, Little & Brown, 1968.

_____ ,  O’Neill, Son and Artist, Boston, Little & Brown, 1973.

SHEIBLER, R., The Late Plays of Eugene O’Neill, Bern, Francke Verlag, 1970.

SMITH, M. & EATON, R., Eugene O’Neill: an Annotated Bibliography, New York and London, Garland, 1988.

TIUSANEN, T., O’Neill’s Scenic Images, Princeton, Princeton University Press, 1968.

TÖRNQVIST, E., A Drama of Souls. Studies in O’Neill’s Supernaturalistic Technique, Uppsala, Almqvist & Wiksell, 1968.

_____ ,  “Miss Julie and O’Neill”, in: Modern Drama, 19:4, 1976, pp. 351-364.

_____ ,  “Strindberg and O’Neill”, in: Blackwell, M.J. (ed.), Structures of Influence: a Comparative Approach to August Strindberg, Chapel Hill, University of North Carolina Press, 1981, pp. 277-291.

_____ ,  “Ingmar Bergman Directs Long Day’s Journey into Night”, in: New Theatre Quarterly, 5:20, 1989, pp. 374-384.

_____ ,  “Strindberg, O’Neill, Norén: a Swedish-American Triangle”, in: The Eugene O’Neill Review, 15:1, Spring 1991, pp. 65-78.

_____ ,  “Playwright on Playwright: Per Olov Enquist’s Strindberg and Lars Norén’s O’Neill”, in: Houe, P. & Rossel, S.H. (eds), Documentarism in Scandinavian Literature, Amsterdam, Rodopi, 1997, pp. 155-164.

WINTHER, S.K., “Strindberg and O’Neill: a Study of Influence”, in: Scandinavian Studies, 31 (Aug. 1959), pp. 103-120.

_____ ,  Eugene O’Neill: a Critical Study, New York, Russel & Russel, 1961.

II.2. Letteratura critica su Lars Norén

ANDERMAN, G., “The Drama of the Closed Room. Some Observations on Lars Norén’s Plays”, in: Garton, J. (ed.), Proceedings of the Ninth Biennial Conference of the British Association of Scandinavian Studies Held at the University of East Anglia 8-11 April 1991, Norwich, 1991, pp. 24-36.

AUDINO, A., “Dalla Svezia tragicamente”, Il Sole 24 Ore, 11.4.1994.

BECK, I., “Familjen är ingen endagsvarelse”, Aftonbladet, 21.10.1990.

BJÖRKSTEN, I., “Man slåss för sitt liv medan man arbetar”, Svenska Dagbladet, 1.10.1983.

_____ ,   “Trötta ut publiken”, Svenska Dagbladet, 20.8.1990.

CAPITTA, G., “La scena madre del giorno. L’unico erede di O’Neill”, Il Manifesto, 10 aprile 1994.

EKMANNER, A., “Med insidan ut”, in: BLM, nr 6, 1982, p. 399.

FERNSTRÖM, K., “Häxmästare på väg ur förflackning?”, in: Entré, 22:4, 1995, pp. 12-26.

FLORIN, M., “Du måste förändra ditt liv. Anteckningar till Lars Noréns dramatik”, in: BLM, nr 6, 1982, pp. 379-391.

_____ ,  “Den nattliga festen. En intervju med Lars Norén”, in: Ord och Bild, nr 1, 1983, pp. 18-37.

FRANKL, E., “Jag har många dörrar kvar att öppna”, Expressen, 23.5.1983.

GREGORI, M.G., “Il mio teatro? Svezia, inferno e famiglia”, L’Unità, 11 dicembre 1994.

HANSELL, S., “Oordningens frälsning”, Stockholms Tidningen, 5.9.1983.

HJELM, O., Lars Norén, dramatiker, TV-film, SVT, 16.4.1991.

JANZON, L., “Samtal med Lars Norén”, in: Entré, nr 1,1982, pp. 24-27.

LINDER, L., “Lars Norén erövrar Europa”, Dagens Nyheter, 23.3.1989.

_____ ,  “Jag tycker illa om gubben”, Dagens Nyheter, 16.4.1991.

MAZZUCCO, M., “Il coraggio di uccidere”, in: Sipario, giugno 1994, pp. 46-47.

MORI, A. M., “Lars Norén: ‘scrivo il mio male di vivere’”, La Repubblica, 26 aprile 1994.

NEUHAUSER, L., “The Intoxication of Insight: Notes on Lars Norén”, in: Theatre, 22:1, 1990/1991, pp. 89-92.

NILSSON, A., “Ett drama om den narcissistiska familjen”, in: Psykologtidningen, nr 12, 1983, pp. 4-5.

_____ ,  “Psykos i teatersalongen”, in: Psykologtidningen, nr 1, 1985, pp. 4-7.

_____ ,  “Familjelivet blottläggs”, in: Psykologtidningen, nr 2, 1991, pp. 8-10.

_____ ,  “Överströmmar och underströmmar”, in: Psykologtidningen, nr 15, 1991, pp. 12-13.

NYLANDER, L.,  Den långa vägen hem. Lars Noréns författarskap från poesi till dramatik, Stockholm, Bonniers, 1997.

NÄTTERQVIST-SAWA, U., “Replikstöld i Norén-drama”, Svenska Dagbladet, 3.10.1991.

OSTEN, S., “Att göra teater med Lars Norén”, in: BLM, nr 6, 1982, pp. 392-397.

PERSSON, A.L., “Noréns färd till den gamle O’Neill”, Svenska Dagbladet, 11.4.1991.

QUADRI, F., “Attenti a Lars Norén”, Panorama, 8.10.1984.

_____ ,  “Padre contro figlio, nemici per la pelle”, La Repubblica, 10 aprile 1994.

_____ ,  “La famiglia, che allucinazione”, La Repubblica, 30 novembre 1997.

VAN REIS, M., “Det slutna rummet. En essä om gränser hos Lars Norén”, in: BLM, nr 1, 1988, pp. 23-31.

_____ ,  “Den omänskliga komedin”, in: Norén, L., De Döda Pjäserna, vol. IV, Stockholm, Bonniers, 1995, pp. 253-281.

_____ ,  Det slutna rummet. Sex kapitel om Lars Noréns författarskap 1963-1983, Eslöv, Östlings Bokförlag, 1997.

RING, L., “Norén bjuder på språklig rening”, Svenska Dagbladet, 6.3.1992.

SCHUELER, K., “Dramatiken fick Norén att fortsätta”, Svenska Dagbladet, 26.11.1982.

SJÖHOLM, C., Föreställningar om det omedvetna. Stagnelius, Ekelöf och Norén, Stockholm, Symposion, 1996.

SKAWONIUS, B., “Max axlar ännu en papparoll”, Dagens Nyheter, 12.4.1991.

SUNDBERG, B., “I familjens rum: om Lars Noréns dramatik”, in: Teatertidningen, 5:1998, pp. 16-21.

SYRÉHN, G., “Lars Noréns Natten är dagens mor: spelplatsen är köket, men finns restaurangen?”, in: Nordisk Tidskrift, I, 1994, pp. 43-50.

TIAN, R., “Tre figure nella stanza della tortura”, Il Messaggero, 11.4.1994.

TÖRNQVIST, E., “Strindberg, O’Neill, Norén: a Swedish-American Triangle”, in: The Eugene O’Neill Review, 15:1, 1991, pp. 65-78.

_____ ,  “Playwright on Playwright: Per Olov Enquist’s Strindberg and Lars Norén’s O’Neill”, in: Houe, P. & Rossel, S.H. (eds), Documentarism in Scandinavian Literature, Amsterdam, Rodopi, 1997, pp.155-164.

WERKELID, O., “O’Neill-pjäsen är färdig, efter åtta år”, Svenska Dagbladet, 21.1.1990.

WÄSTBERG, P., “Den svenska livslögnens nationalromantiker”, in: Wästberg, P., Lovtal, Stockholm, Wahlström & Widstrand, 1996, pp. 203-225.

ÅHLUND, J.,“Han är vår nye Strindberg”, Aftonbladet, 12.6.1983.

II.3. Opere di storia del teatro, raccolte, dizionari

ANDERMAN, G. (ed.), New Swedish Plays, Norwich, Norvik Press, 1992.

BERTINETTI, P., Storia del teatro inglese dalla Restaurazione all’Ottocento, 1660-1895, Torino, Einaudi, 1997.

BIGSBY, C. W. E., A Critical Introduction to Twentieth Century American Drama, Vol. 1: 1900-1940, New York and London, Cambridge University Press, 1985.

BOGARD, T.; MOODY, R.; MESERVE, W., The Revels History of Drama in English, Vol. VIII: American Drama, London, Methuen, 1977.

BOSISIO, P.,Teatro dell’occidente. Elementi di storia della drammaturgia e dello spettacolo teatrale, Milano, LED, 1995.

BROCKETT, O., Storia del teatro. Dal dramma sacro dell’antico Egitto agli esperimenti degli anni Ottanta, Venezia, Marsilio, 1988.

BRUSTEIN, R., The Theatre of Revolt, London, Methuen, 1965.

CAPPA, F.; GELLI, P. (a cura di), Dizionario dello spettacolo del ‘900, Milano, Baldini e Castoldi, 1998.

COHN, R., Nuovo teatro americano, 1960-1990, ediz. italiana a cura di R. Di Giammarco, Roma, Gremese, 1992.

DOWNER, A.S., Fifty Years of American Drama 1900-1950, Chicago, Henry Regnery Company, 1951.

HARRIOT, E., American Voices. Five Contemporary Playwrights in Essays and Interviews, Jefferson, McFarland, 1988.

KRUTCH, J.W., The American Drama since 1918, New York, George Braziller, 1957.

LAMM, M., Det Moderna Dramat, Stockholm, Bonniers, 1964.

LEWIS, A., American Plays and Playwrights of the Contemporary Theatre, New York, Crown Publishers, 1970.

MAFFI, M. (a cura di), Nuovo teatro d’America, Genova, Costa & Nolan, 1987.

_____ ,  “Teatro americano contemporaneo”, in: Ácoma, II (Estate-Autunno 1995), n.5.

MARKER, F. & MARKER, L.L., The Scandinavian Theatre. A Short History, Oxford, Basil Blackwell, 1975. [Rev. ed.: A History of Scandinavian Theatre, New York & London, Cambridge University Press, 1996].

MARRANCA, B. & DASGUPTA, G., American Playwrights. A Critical Survey, New York, Drama Book Specialists, 1981.

PAVIS, P., Dizionario del teatro, edizione italiana a cura di Paolo Bosisio, Bologna, Zanichelli, 1998.

PEROSA, S., Storia del teatro americano, Milano, Bompiani, 1982.

II.4. Opere di teoria e critica del testo drammatico

ARISTOTELE, Poetica, Bari, Laterza, 1998.

CLINE, G.S., The Psychodrama of the Dysfunctional Family: Desire, Subjectivity and Regression in Twentieth Century American Drama, Dissertation Abstracts International, Ann Arbor, University of Michigan, 1991.

DAVIS, W.A., Get the Guests: Psychoanalysis, Modern American Drama and the Audience, Madison, University of Wisconsin Press, 1994.

DEMASTES, W.W., Beyond Naturalism: A New Realism in American Theatre, Westport, Ct, Greenwood Press, 1988.

DOWNER, A.S. (ed.), American Drama and its Critics, Chicago & London, University of Chicago Press, 1965.

DRAKAKIS, J. & LIEBLER, N. (eds), Tragedy, Longman Critical Readers, London and New York, Longman, 1998.

ESSLIN, M., The Field of Drama, London, Methuen, 1987.

FLECHE, A., Mimetic Disillusion: Eugene O’Neill, Tennessee Williams and U.S. Dramatic Realism, Tuscaloosa, University of Alabama Press, 1997.

FREEDMAN, M., American Drama in Social Context, Carbondale, Southern Illinois University Press, 1971.

KENNEDY, A. K., Dramatic Dialogue. The Duologue of Personal Encounter, Cambridge, Cambridge University Press, 1983.

LARTHOMAS, P., Le Langage Dramatique, Paris, Colin, 1972.

NICHOLS, B., Representing Reality, Bloomington, University of Indiana Press, 1991.

PAGET, D., No Other Way to Tell It. Dramadoc/docudrama on Television, Manchester, Manchester University Press, 1998.

PORTER, T.E., Myth and Modern American Drama, Detroit, Wayne State University Press, 1969.

SCANLAN, T., Family, Drama and American Dreams, Westport, Ct, Greenwood Press, 1978.

SIEVERS, D., Freud on Broadway: a History of Psychoanalysis and the American Drama, New York, Hermitage House, 1955.

SIMON, B., Tragic Drama and the Family: Psychoanalytic Studies from Aeschylus to Beckett, New Haven, Yale University Press, 1988.

SZONDI, P., Teoria del dramma moderno, Torino, Einaudi, 1962.

UBERSFELD, A., Lire le Théâtre, Vol. I-III, Paris, Belin, 1996.

WILLIAMS, R., Drama From Ibsen to Brecht, London, The Hogarth Press,  1992.

_____ ,  Modern Tragedy, London, The Hogarth Press, 1992.

WILSON, R.N., The Writer as Social Seer, Chapel Hill, University of North Carolina Press, 1979.

ZILLIACUS, C., “Documentary Drama: Form and Content, in: Comparative Drama, 4:3, 1972, pp. 223-253.

II.5. Altri testi consultati 

ALBEE, E., Who’s Afraid of Virginia Woolf?,  New York,                      Atheneum, 1963.

_____ ,  A Delicate Balance, London, Penguin Books, 1966.

ALGULIN, I. och OLSSON, B.,  Litteraturens historia i Sverige, Stockholm, Norstedts Förlag, 1987.

ALGULIN, I., A History of Swedish Literature, Stockholm, The Swedish Institute, 1989.

ALLEN, R.C. (ed.), Channels of Discourse, Reassembled. Television and Contemporary Criticism, London, Routledge, 1992.

BARTHES, R., Sur Racine, Paris, Seuil, 1979.

BERGMAN, I., Lanterna magica, Milano, Garzanti, 1987. 

_____ ,  Immagini, Milano, Garzanti, 1992.

BEVILACQUA, M. G., Con Garbo. Un viaggio alla ricerca della Divina, Milano, La Tartaruga Edizioni, 1997.

CAMUS, A., Il mito di Sisifo, Milano, Bompiani, 1996.

CARTOSIO, B., Anni inquieti: società, media e ideologie negli Stati Uniti da Truman a Kennedy, Roma, Editori Riuniti, 1992.

_____ ,  Gli Stati Uniti contemporanei, Firenze, Giunti, 1992.

CERF, B., At Random. The Reminiscences of Bennett Cerf, New York, Random House, 1977.

CHEVALIER, J.; GHEERBRANT, A., Dizionario dei simboli, Vol. I-II, Milano, BUR, 1997.

COMMINS, D., What Is An Editor? Saxe Commins At Work, Chicago, The University of Chicago Press, 1978.

COWIE, P., Swedish Cinema. From Ingeborg Holm to Fanny and Alexander, Stockholm, The Swedish Institute, 1985.

FIEDLER, L., Love and Death in the American Novel, New York, Meridian Books, 1962.

FREEDMAN, S.G., “Sam Shepard’s Mythic Vision of the Family”, The New York Times, Dec. 1, 1985.

FREUD, S., Il perturbante, a cura di C. Musatti, Roma, Theoria, 1984.

FUSINI, N., “C’era una volta un matrimonio, ma fu una catastrofe”, La Repubblica, 26 novembre 1999.

GIFFORD, H., Comparative Literature, London, Routledge, 1969.

HEPBURN, K., Le storie della mia vita, Milano, Frassinelli, 1991.

IBSEN, H., Samlede Verker, 3 Vol., Oslo, Gyldendal Norsk Forlag, 1960.

KOLIN, P. (ed.), Conversations with Edward Albee, Jackson & London, University of Mississippi Press, 1988.

KRACAUER, S., Teoria del film, Milano, il Saggiatore, 1995.

LAGERKVIST, P., Dramatik, Stockholm, Bonniers, 1946.

LA POLLA, F., Struttura e mito nella narrativa americana del ‘900, Venezia, Marsilio, 1974.

LEJEUNE, P., Le pacte autobiographique, Paris, Seuil, 1975.

_____ ,  Je est un autre. L’autobiographie de la litterature aux médias, Paris, Seuil, 1980.

LEVIN, H., The Power of Blackness, New York, Vintage Books, 1960.

LÖNNROTH, L. och DELBLANC, S. (eds), Den svenska litteraturen, Vol. III: Det liberala genombrottet, 1830-1890, Stockholm, Bonniers, 1988.

_____ ,  Den svenska litteraturen, Vol. IV: Den storsvenska generationen, 1890-1920, Stockholm, Bonniers, 1989.

LÖNNROTH, L. och GÖRANSSON, S. (eds), Den svenska litteraturen, Vol. VI: Medieålderns litteratur, 1950-1985, Stockholm, Bonniers, 1990.

MANOCCHIO, T. & PETITT,W., Families Under Stress: a Psychological Interpretation, London, Routledge, 1975.

MARKER, F. & Marker, L.L., Ingmar Bergman. A Life in the Theatre, Cambridge, Cambridge University Press, 1992.

_____ ,  Ingmar Bergman. Tutto il teatro, Milano, Ubulibri, 1996.

MARRANCA, B. (ed.), American Dreams. The Imagination of Sam Shepard, New York, Performing Arts Journal Publications, 1981.

NORMAN, M., ‘night, Mother, London, Faber & Faber, 1983.

OLSSON, T., Facts About the Royal Dramatic Theatre, Stockholm, Dramatens Arkiv, 1983.

PERRIDON, H. (ed.), Strindberg, Ibsen & Bergman. Essays on Scandinavian Film and Drama, Maastricht, Shaker Publishing, 1998.

QUADRI, F., “Bergman, il teatro al nero”, La Repubblica, 19 maggio 1988.

_____ ,   “Bergman, un capolavoro. Con Eugene O’Neill senza un attimo di respiro”, La Repubblica, 2 giugno 1989.

ROBINSON, M., Strindberg and Autobiography, Norwich, Norvik Press, 1986.

ROSSEL, S.H., A History of Scandinavian Literature, 1870-1980, Minneapolis, University of Minnesota Press, 1982.

RULAND, R. & BRADBURY, M., From Puritanism to Postmodernism: a History of American Literature, London, Penguin Books, 1992.

SHAKESPEARE, W., La Tempesta, testo inglese a fronte e traduzione di G. Baldini, Milano, BUR, 1973.

_____ ,  Enrico V, presentazione, traduzione e note di Andrea Cozza, Milano, Garzanti, 1992.

SHEPARD, R.F., “Shane O’Neill, Playwright’s Son, Suicide”, The New York Times, Dec. 7, 1977.

SHEPARD, S., Plays, 3 Vols, London, Faber & Faber, 1997.

SPOTO, D., Notorious. The Life of Ingrid Bergman, London, Harper Collins, 1998.

STEENE, K.B., The American Dream and the Swedish Theatre, 1920-1958, Ph.D. Diss., University of Washington, 1960.

STRINDBERG, A., August Strindbergs Samlade Verk, Nationalupplagan, Stockholm, Almqvist & Wiksell e Norstedts, 1981- (Edizione completa di tutte le opere, tuttora in corso di pubblicazione).

_____ ,  Teatro naturalistico II, a cura di L. Codignola, Milano, Adelphi, 1982.

_____ ,  Romanzi e racconti,  a cura di L. Koch,  Milano, Mondadori, 1991.

_____ ,  Il sogno, a cura di G. Zampa, Milano, Adelphi, 1994.

_____ ,  Miss Julie and Other Plays, translated by Michael Robinson, Oxford, Oxford University Press, 1998.

_____ ,  Min eld är den största. Brev 1858-1912 (urval, kommentar och inledning av K. Dahlbäck), Stockholm, Ordfront Förlag, 1999.

TÖRNQVIST, E., Between Stage and Screen: Ingmar Bergman Directs, Amsterdam, Amsterdam University Press, 1995.

WADE, L.A., Sam Shepard and the American Theatre, Westport, Ct, Praeger, 1997.

WELLAND, D., Arthur Miller, London, Oliver & Boyd, 1961.

WHITE, W.S., “Eugene O’Neill  Jr is Found a Suicide”, The New York Times, Sept. 26, 1950.

WILLIAMS, T., Cat on a Hot Tin Roof and Other Plays, London, Penguin Books, 1976.

WIRMARK, M., Ingmar Bergman: film och teater i växelverkan, Stockholm, Carlsson, 1996.